“Wind River,” a Review
Movies with a multicultural theme are always difficult to write about without appearing to be a self-taught expert. If you’re a white male writer, it becomes even riskier because, then, the stereotype of the “mansplainer” is a label easily used to discount everything you say.
Well, here goes.
Wind River arrived in American theaters over the past weekend.
It is a gripping crime thriller that takes place on an Indian Reservation in Wyoming in merciless sub-zero temperatures.
Cory Bannon, a US Fish and Wildlife agent discovers the body of a female Arapaho teenager whom he recognizes as the daughter of a close friend. We find out later that part of Bannon’s life seems to come at him in a surreal rush because he lost his own daughter, Emily, who was of mixed ethnic heritage–her mother is also Arapaho (she and Bannon are currently going through a divorce).
A rooky FBI young woman, Jane Banner, is called in to investigate the homicide. Along with the local tribal police, she and Bannon eventually take the villains down, after, of course, a brutal cops-and-robbers shoot out (about and hour-and-a-half later, in movie time)
For what it’s worth, this is what I discovered about this film
(1) The film takes some risks in giving us portraits of heart-felt grief, both male and female. I might add here, there are some strong male-bonding scenes that are particularly poignant because they cross over ethnic lines.
(2) The male-as-avenger seems to be a stereotype that Hollywood film directors can’t seem to escape.
(3) The film makes some attempt at giving a woman a leading equality role as a police agent fully capable of taking physical and mental control. At the same time, she has a necessary psychological role in identifying with the plight of the young Arpaho woman and her mother.
(4) All the “reservation” social issues come at us as if they were as commonplace as a red-light at a busy city street corner—-drugs and alcohol; the number of missing and murdered Native American women; Indian sovereignty; under-staffed tribal police; poverty; imprisonment as the invevitable fate of many young male Native Americans; and the relentless brutal winter, not to mention the loss of livestock because of the many wandering predatory animals in search of food.
(5) There is a strong message in the film about the Native American ability to endure hardship. Bannon makes the point to Banner, early in the film, that the young female victim probably ran much beyond any normal human being’s ability to endure the sub-freezing weather in spite of having been brutally raped. And it is clear, in the final poignant scene of the film, that the young women’s father and mother will eventually survive.
Have to admit I was hooked, particularly at the breath-taking visuals. There may be some criticism, however, about the violence. It is very, very graphic, although I’m not quite sure it was gratuitous given the frontier setting of the film in the wintry Wyoming wilderness and the painful reality of so many Native American women murdered and missing.