The Great Beauty
Directed by Paolo Sorrentino
The Squandering of Talent
“Therefore, let this novel begin. After all, it’s just a trick. Yes, it’s just a trick.” This is one of Jep Gambardella’s final statements in the Italian film, “The Great Beauty.”
Spoiler Alert: So, now we know that Jep will begin writing again as the movie ends. Even if Jep’s goal may be more aspirational than real, we are left with imagining what the sequel to his 65 year-old life will be.
Up to that point, it looked as if he would squander his one-novelette talent, living among Rome’s “idle rich.” And my God, are there many of that ilk in this film.
In another of his final soliloquies, Jep says, “This is how it always ends, in death. But first there was life hidden beneath the blah, blah, blah.”
And what was that life, according to Jep: “the silence and the emotion; the excitement and the fear; the fleeting and sporadic flashes of beauty amid the wretched squalor and human misery.”
“All,” Jep says, “buried beneath the awkward predicament of existing in this world.” Continue reading
Michael Haneke’s films are never easy to watch. I believe it would be safe to say the Haneke tends to assault his viewers out of their complacencies.
If you like your films to have a soft-edged, feel-good resolution, you should definitely save your ten bucks—twenty-five with popcorn and a beverage– and wait for Hollywood’s romantic-comedy summer fare.
Haneke is not your man.
That said, let me begin by saying that “The White Ribbon,” Haneke’s latest, is a tour de force. It is no wonder that Cannes gave the film its prestigious Palme d’Or award. It was well-deserved Continue reading