Compromise

“Winter Sleep,” A Review

 

Winter-Sleep2

Winter Sleep, 2014
Nuri Bilge Ceylan

Interiority, Pathos, Survival

There are many things to like about Nuri Bilge Ceylan’s exquisite film, “Winter Sleep.” (Palme d’Or winner at Cannes Film Festival, 2014).

First of all, it is a very interior film. Ceylan manages to create a strong inner sensibility of pathos, an aching sense that life, in the end, is cruel, relentless, and merciless. Inside of that psychological cosmos, however, is the other half of Ceylan’s Sisyphean fatalism: people do manage to survive in spite of the quiet desperation of their lives.

There is little question that Aydin, the central character, is the personified form of Ceylan’s world of pathos. And he is also a survivor, not unlike Hidayet, his lower-class assistant, who does all the managerial tasks and is Aydin’s personal chauffeur. (Hidayet’s constant, but strong background presence in the film appears to be Ceylan’s way of reminding his audience that the poor and the service class, in their uncomplaining stoicism, will always be with us.) Continue reading

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