Spiegel & Grau Trade Paperbacks
New York, 2010
In all of the reviewing I have done over the years, I don’t ever recall using a statement from an author’s acknowledgment page.
When I read the last paragraph and then went back to look at the last page of the narrative itself, there appeared to be some covert, even tendentious wrapping up, some moral statement LaValle seemed to be making in this part allegory, part fantasy, part gothic, part magic-realism, part gruesome, grim-reality novel. Continue reading